astro-landscape calendar

2020 Astro-Landscapes Photo Calendar Available For Pre-Order

The 2020 Astro-Landscapes calendar is finally here!

It took me two years, but I’ve finally captured enough photos to create the next calendar I had dreamed of making: A panoramic landscape adventure photography calendar.

This is no ordinary landscape photo calendar, though. I had another ambitious goal for my next photo calendar: I’ve annotated the calendar days themselves with a few of my favorite types of landscape photography opportunities, such as a moonrise at sunset or moonset at sunrise, or nights when photographing the Milky Way could be optimal during a new or low crescent moon.

Now, each month you’ll not only be able to enjoy another photo from somewhere in the beautiful American West, but you’ll also be able to quickly glance at a few great shooting opportunities every week!

The 2020 calendar will be 7×12″, it will be printed in September 2019 and shipped in October 2019. There will only be 200 printed, and only the first 100 will be signed and numbered. Pre-order your calendar now to ensure that you don’t miss out!

Local pick-up is available, however, calendars cannot be reserved without entering into the system, so please pre-order your calendar using the second link below, and you will be contacted in October for a chance to meet in person.

Thank you in advance for your support, and here’s to 2020 being full of beautiful adventures!


Pre-Order Now! (Shipping In October 2019) $24.99 + shipping

 


Pre-Order For Local Pickup ONLY! $24.99 + tax



My Passion For Panoramic Photography

I’ve loved panoramic photography ever since I first picked up a camera about 20 years ago. I’ve always enjoyed creating “extreme” panoramic images, however, when I decided that I wanted my next photo calendar to be a panoramic calendar, I realized that most of my existing panoramic images simply would not work well in the desired format.

So, I made some compromises on my goals for the perfect aspect ratio, (7×12″) and I set off on many wilderness adventures to capture more images. Many of my adventures were centered around a singular photographic goal, and yet the images which found their way into this calendar turned out to be almost entirely the unexpected moments of serendipity and breathtaking light which simply cannot be predicted a year in advance.

For this reason, I decided to add not just helpful information about photo opportunities, but also a brief story behind each photo to help set the scene and give a brief glimpse into the moment itself. I am currently writing a book containing many more of these adventure stories, which showcase such authentic moments in the wilderness, and hopefully encourage other photographers to seek out the beautiful opportunities that nature has to offer.

My Passion For Astro-Landscape photography

I first began calling my imagery “astro-landscapes” when I became interested in nightscape photography, and for a period of time, it was the only subject I pursued. After a few years of nightscape photography “dedicated” adventures, however, I realized something- On all of the trips I took, many of the truly memorable moments, and indeed most of the best photographs, were not nightscapes, but images depicting whichever moments were simply the most breathtaking in terms of unique weather, seasonal phenomena, or serendipitous alignments of the sun or moon with earthly subjects.

During this process of discovery, not only did I realize that Astro-Landscapes was about so much more than just nightscape photography, but also, my desire to simply be outdoors as often as possible grew. Inevitably, also, my desire to sit at a computer and post-produce the images dwindled. I came to the following conclusion: I’d rather be outdoors capturing real moments of nature, instead of “fabricating” them later on a computer.

This has been my driving force ever since, and each of the images in this set of 13 represents very basic photographic techniques: Many are single exposures with nothing more than color-correction and cropping to a 7×12 aspect ratio, and others are very simple panoramic stitches, or basic noise reduction layers. In other words, these moments unfolded with the exact timing, scale, and juxtaposition that you see in each image.


Pre-Order Now! (Shipping In October 2019) $24.99 + shipping

 


Pre-Order For Local Pickup ONLY! $24.99 + tax

Moonset at Sunrise in the Alabama Hills | Eastern Sierra, California, August 2018 Nikon D750, 70-200mm f/2.8, 200mm, f/8, ISO 100, 1/100 sec

I wish I could say this moment was perfectly planned months in advance, but the truth is, it snuck up on me completely un-planned. I was car-camping in the Alabama Hills during a solo road trip, and had only planned to do a little nightscape photography before getting back on the road.

As per the usual for most of my road trips, I was too exhausted from driving and hiking all day, so a 40-minute nap at 1 AM turned into a 4-hour nap. When I awoke, the moon was still well above the distant, jagged peaks of the eastern Sierra.

At first, I didn’t think anything of it; I was more concerned about getting on the road as soon as possible. Thankfully, the fading stars and pink-blue light of astronomical dawn lured me into telling myself, “just a couple quick shots, then I’ll get going.” Another 30 minutes later, as the last few stars were disappearing and the moon was getting awfully close to the horizon, it finally hit me- I was about to witness one of the holy grails of mountain landscape photography: a perfect moonset at sunrise.

Except, it wouldn’t be perfect; I was in the wrong spot. After snapping two “safety shots” at 200mm of the first kiss of purple alpenglow on Mt Whitney, I threw my gear in my car and raced “backwards” away from the scene to a slightly more distant vantage point. That few hundred yards was exactly what was needed to allow me to start a timelapse in which the moon nestled perfectly into the visual notch to the right of Mt Whitney, as the sun’s first rays washed over the majestic Eastern Sierra.

This image was processed in Capture One Pro 11. I found that Capture One did the best job of representing such bright, warm colors and tonality without appearing artificially saturated, nor excessively “preserved” as some bright highlight tones can appear in other raw conversion software.

Thank you again for your support!


Pre-Order Now! (Shipping In October 2019) $24.99 + shipping

 


Pre-Order For Local Pickup ONLY! $24.99 + tax